Production company Shoot Europe launched a brand new platform, Thursday's Child, in late 2018. Thursday's Child showcases the very best unrepresented photographers and filmmakers globally aged 16-30 years.
Production company Shoot Europe launched a brand new platform, Thursday's Child, in late 2018. Thursday's Child showcases the very best unrepresented photographers and filmmakers globally aged 16-30 years.
VFILES have joined forces with charitable NYC organisation, The Door to create an LGBTQ+ Prom for underprivileged teens in NYC. We have the opportunity for 6 hair stylists, 6 makeup artists and 6 nail artists from the Mastered network to collaborate on their LGBTQ+ Prom that will be covered widely on the VFILES platform.
There are expectations of those who work backstage at a hectic catwalk show. It doesn’t matter if you are leading a team or part of a team, you’ve been booked to do a job that is much more than just being an artist.
Last year, makeup artist Nicki Buglewicz was given her first opportunity to lead a team of 15 MUA’s at the first-ever London Queer Fashion Show, which showcased five designers and was being covered by international press.
In this audio story, Nicki shares her tips on how to make the most of any fashion week experience - whether you're leading a team or whether this is your first opportunity to assist. Listen in as she shares specific advice that has helped her become a reassuring and integral presence on shoots and backstage, and deliver her best work.
If you're on the go and unable to listen to the entire audio story straightaway, here's a quick summary of some of the highlights and lessons...
Be positive and maintain a level of enthusiasm and excitement for yourself and the team, no matter what. Nicki was in charge of 15 artists of varying levels of experience but the show had to maintain a certain pace as well as professionalism and artistic integrity. Things will go wrong, that's inevitable, but dealing with them in an open, calm manner will get those problems resolved faster and with less stress to the team.
When you spot a mistake, raising your voice or stopping the flow of the room's work will not bring results. Assess the problem quickly, decide a course of action and know which of your team is best positioned or has the ability to help you rectify the problem, then execute the solution. During the show, just before the models walked out, Nicki saw a model at the end who had wrong makeup. She placed 5 MUA's on the model, assigning one area of the face to each artist so that the makeup could be removed and reapplied correctly in the 30 seconds they had before the model was due on the runway. In keeping with her ethos of taking on responsibility, Nicki did not single out the MUA at fault, she kept the show moving forward seamlessly.
What’s the purpose of going back and giving out to somebody who has made a mistake? There is none. Everyone just banded together to fix it, and you know that’s the last time that they’ll ever make a mistake like that.
Designers can second-guess themselves and sometimes demand changes to the hair, makeup or styling, often at the last minute. Look at the bigger picture to determine the potential outcome - are the changes feasible in the time-frame, will the changes actually work with other elements of the show, such as the lighting or the collection overall? Refusing outright can trigger a damaging confrontation. Instead, reassure the designer that the original look they've agreed on will work, as their request might simply be fuelled by nerves. If they insist on a change, then negotiate - can the existing look be tweaked to accommodate their last minute idea? Use empathy but also commonsense to find a resolution that works for the designer, yourself, the team and the show.
When you're assisting on shows, you want to be remembered so you're chosen again next season. Keeping your positivity levels high is a must, as people will always remember a bad attitude and be far less inclined to work with you, no matter how skilled you are as an artist. Find the things within your craft that are unique to you. Nicki's energy, positivity and her intense attention to detail during skin prep made her memorable (and reliable) as a show assistant, and she continued to be booked for work.
Designers are busy. Sending materials, like lookbooks and moodboards, to beauty teams can slip through the cracks. A good team leader will get on with prepping despite this. In Nicki's instance, she did not recieve any makeup briefs from the five designers until the night before the show. Rather than panic and work through the night, Nicki had already researched each designer's previous work, their influences and current collection to create five looks per designer. When the briefs did come through, she was able to quickly tweak the looks she had already prepared and immediately present the designers with options.
Nicki's story offers many more lessons. To hear all of them, listen below.
There’s no event like it in the world. Mastered Live brings together everything that you love about Mastered, but in-person. Shoots in incredible locations, powerful workshops, portfolio reviews with agents, the chance to find new collaborators, all crammed into an unique, life-changing, two-day experience.
Don’t take our word for it. Watch a short film we made at Mastered Live: London, and then find out how you can be a part of the next one.
Since we introduced Mastered Live in 2017, it has become a highlight of the accelerator experience. Work has been published in Nylon, Lula and Vogue Italia. New teams have formed. Professionals have gone home feeling renewed and inspired.
1. Refer a friend to enrol in the 2018 Mastered accelerators
2. Give them this unique fast-track application form link: bit.ly/fast-track18 - make sure they add your email address to the form so we know you referred them
3. When your friend enrols through the fast-track form, you earn a place at any one of the 2018 Mastered Live events. We’ll get in touch when your friend starts the accelerator to find out which Mastered Live event you want to be at. If more than one of your referred friends enrol, you can attend more than one Mastered Live!
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How do I know which peers I should refer?
Mastered is only for professionals commited to a career in fashion. We're looking for the new breed of talent. Creatives who are adaptable, gutsy, collaborative, and generous. Think about the people you would have in your team and you won't be far wrong.
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I have already referred people to Mastered this year and they have enrolled for 2018 – am I eligible?
Unfortunately, no. This is a brand new initiative and, as such, only those who are referred through the specific new link from Tuesday, 07 November 2017 onwards are eligible.
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Why aren't my previous referrals eligible?
This initiative has just launched and it is only through this new fast-track application form will we be able to track with certainty who referred which professionals.
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How will I know if I have earned a place to attend Mastered Live?
Once your peer enrols on the 2018 Mastered accelerator, we will send you an email to confirm their enrolment. As long as they start the accelerator in February, we will be able to confirm you’ve earned your place at another Mastered Live.
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I thought there was a cash referral?
We discontinued the cash referral system. You told us support with personal development and career is more valuable than money, and we completely agree.
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If three people enrol, can I go to all three Mastered Lives?
Yes! If three people you refer all enrol - we will happily invite you to all three!
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How do I make sure the people I refer, especially when someone may have been referred by more than one person, are associated to me?
Several creatives may know and think to refer the same professional. Our fast-track application page requires the applicant to submit your email address as the person who referred them. We will associate the referral to the email address they submit at this point.
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Will I be able to go to the same Mastered Live as the peers I've referred?
Yes, this is possible. We will ensure there are spaces available at all Mastered Lives for those who have successfully referred an enrollee.
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Will I need to pay for travel and accomodation at Mastered Live?
Yes. Travel and accommodation will need to be paid for by you. Mastered cover the cost of the two-day experience of shoots, workshops and portfolio reviews.
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When and where will the Mastered Live events be in 2018?
Dates and locations for Mastered Live in 2018 will be announced in the middle of November. Your talent manager will be able to confirm the details then.
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I still have questions, how can I find the answer?
Please get in touch with us by responding to this email – we will deal with all queries from there.
We can't wait to see you next year!
For the first time ever, we are opening up the most loved part of our accelerator experience by offering you a complimentary 30-minute one-to-one Skype call with an industry expert.
The mentors have extensive experience in the fashion industry and give detailed, discipline-specific career advice. They can discuss your work, answer questions about career direction, and provide you with actionable next steps. But don't take our word for it. Here's how the artists enrolled on 2017 accelerators have rated their experience so far:
I REALLY find it so amazing and helpful to be able to have coaching calls and industry expert calls. Wow, what a great addition to this program.
Malorie Shmyr
Two-time Photography: Mastered alumni
The best part of my experience has been the Skype calls with the industry expert who gave me constructive and helpful feedback on my work.
Michael Kramer
Enrolled on Photography: Mastered 2017
Get your diary ready. Select a mentor from the list below and book directly with them. Different experts will have different focus and experience, so pick one that's right for your career direction and your discipline.
Gemma Fletcher
Creative Consultant
Gemma Fletcher is a Senior Art Director for Getty Images, she freelanced as Creative consultant for brands and photographers and writes regularly for Creative Review.
Brent Smith
Senior agent
With over 10 years experience as an agent, Brent is responsible for marketing and nurturing new relationships between New York's {home} agency and potential industry collaborators.
Chelsea Sule
Artist agent
Chelsea is an agent at Wilhelmina: a global talent agency. Based in LA, Chelsea manages a number of beauty artists and their careers. She's also a hair and makeup artist in her own right, styling for editorial, bridal and red carpet.
Macki Maconie
Brand consultant
Macki is a London-based brand consultant and the former head of styling at Saint Luke Artists. An experienced career mentor, in this role she nurtured and developed emerging fashion talent.
Giulio Casagrande
Fashion editor
Giulio is the fashion & market editor of MUSE Magazine, where he oversees the direction of all the fashion stories and coordinates special projects and events in conjunction with fashion brands. He has previously worked for Vogue Italia.
Lisa Weatherby
Producer and agent
Lisa is producer at {home} agency in New York. With over eight years of agency experience, she previously worked with and managed the production of major photographers and fashion stylists at The Collective Shift.
Emily Shornick
Art director, producer, photo editor
Emily is a photography editor, producer and art director based in New York. She currently oversees multimedia content at InStyle.com, and has previously worked across print and digital for New York Magazine, Tory Burch and Spin.
Pablo Rodriguez
Makeup artist
Pablo worked as a senior makeup artist for MAC Cosmetics for over 10 years, and is currently a freelance artist signed to CLM. He regularly works with international teams on editorial shoots, as well as a host of celebrity and brand clients.
Mary Forester
Hairstylist & beauty writer
Mary is a hair stylist and digital specialist who also runs her own blog here. Mary became a hairstylist in her late 20s – running a column while working in a salon, assisting on shoots and also being the web editor at Hairdresser's Journal.
Ludovica Consigli
Stylist & copywriter
Ludovica has been in fashion for 16 years, starting as a stylist at MTV in Milan, later becoming visual merchandising coordinator at Marni. Currently she looks after online styling for Y-3 and Vivienne Westwood.
Daniel D'Armas
Stylist
Daniel worked with Phoebe Philo at Celine, and with Olivier Rizzo on editorials and campaigns for Dior, as well as consulting for Acne and Missoni. He now works with commercial clients like Christian Louboutin and Mango.
Richard Sloan
Fashion stylist
Richard is a fashion stylist signed to Saint Luke Agency. He works across editorial and fashion shows as well as celebrity styling. He also consults for international brands including ASOS, Liberty and Nicholas Kirkwood.
Carley Bishop
Creative producer
Carley is former digital editor at Topshop UK, where she conceptualised and styled Topshop’s digital campaigns alongside Kate Phelan. She now styles and produces shoots for the likes of GQ, Diesel, Dazed and Hunger.
Mark Watson
Creative Director
Mark is the creative director at Cult of Sir: a brand service including trend, design and collection development consultation. He's worked with brands Escada, Smiley and Prism and was previously the senior editor for womenswear at WGSN.
Rae Jones
Designer & trends consultant
Rae has over 15 years of experience handling clients like WGSN, Pantone, Kurt Geiger and Mexx. She is also a guest lecturer at Westminster University. She launched her own footwear brand in 2008 and an accessories brand, Buckitt, in 2013.
Ready to conquer what's holding you back?
Don't miss out on a chance to get one-to-one feedback and actionable advice from top fashion experts? Book your mentoring session today.
We spoke to award-winning author and documentarian Polly Morland, as well as our own network of experts from the fashion industry, to get insights on how best to conquer your career blocks and make real progress.